The redoubtable British ceramics maker Royal Doulton has long embraced popular tastes and enjoys a devoted following among aficionados of English pottery. Some are drawn to the company’s intricately decorated bone china dinner services; others are passionate collectors of Royal Doulton’s artfully hand-painted vases, bowls and figurines.

When founded in 1815 in the Lambeth section of suburban London, Doulton & Co. produced bottles and other storage containers and even sewer pipes in stoneware, a cheap but durable cousin of porcelain. Amid the Victorian era’s rising concern for hygiene, food safety and sanitation, the company flourished. And in the late 1870s Doulton expanded its business into the applied arts.

The firm took over a factory in Staffordshire, in northern England — the traditional home of British ceramics manufacturing — to produce tableware. Around the same time, Doulton opened an art-pottery studio in Lambeth, where vases, urns and other forms were decorated with painted scenic images, flowers or historical motifs. Taking a cue from the venerable Meissen porcelain workshops in Germany, Doulton artisans began crafting figurines modeled on characters from literature and theater. The firm also helped popularize Toby Jugs and other “character mugs” — handled cups shaped as the heads of figures from folklore and popular culture. King Edward VII granted the company the Royal Warrant in 1901.

Royal Doulton china will always make an elegant yet not-too-formal appearance in a traditional table setting. Prices for dinner services vary according to size, age and condition, but generally range from $2,000 to $15,000. Royal Doulton art pottery might be used by some as a bright decorative note; others collect the company’s figurines with the same interest and dedication as stamp and coin enthusiasts. A typical Toby Jug might fetch $50, while very rare figurines can sell for $7,000. Most of the finest Royal Doulton art pottery pieces sell for around $500. As you will see on these pages, few decorative-arts companies are as aesthetically and stylistically diverse as Royal Doulton. The firm truly offers something for everyone.

Arguably the most celebrated of all English ceramics makers, Wedgwood was founded in 1759 by Staffordshire potter Josiah Wedgwood (1730–95). The company is famed for its Jasperware — molded Neoclassical stoneware vases, plates and other pieces, inspired by ancient cameo glass, featuring white figures, scenes and decorative elements set in relief on a matte colored background. The best-known background hue is light blue, but Wedgwood’s iconic silhouettes also appear on green, lilac, yellow, black and even white grounds. Some pieces use three or more colors.

The Wedgwood firm first came to prominence for its tableware, which quickly gained favor in aristocratic households throughout Britain and Europe. In 1765, Wedgwood was commissioned to create a cream-colored earthenware service for Queen Charlotte, consort of King George III. The queen was so thrilled with her new china that Wedgwood was given permission to call himself “Potter to Her Majesty,” and the decorative style became known as Queen’s Ware. Not to be outdone, Catherine the Great of Russia commissioned her own set of Wedgwood china in 1773. Nearly 200 years later, the firm created a 1,200-piece service for the coronation of Queen Elizabeth II. In recent years, leading designers including Jasper Conran and Vera Wang have collaborated with Wedgwood — in the tradition of such distinguished 18th century artists such as the painter George Stubbs and metalsmith Matthew Boulton.

From plates and other dinnerware to decorative items like urns, cachepots and candlesticks, Wedgwood designs lend a traditional air to Anglophile interiors. And even if you have to make your own tea, you may find it comforting to sip it from a delicate cup that was manufactured in the same Stoke-on-Trent kiln that produced Her Majesty’s tea service. Be sure to keep your pinky raised.